still cuts to the theater, cinema, dance, opera, research, culture, or is expected to fall a little cash under the table and everything will work out or have the clear perception that WE ARE IN A STATE OF EMERGENCY .
That is no longer possible to work, that our skills and our professionalism will no longer have value. What will be back very, very difficult. That time and missed opportunities there will be returned. And
ppure reactions of the last two years have been weak unions and trade associations insist on a policy of wait-and compromises.
Nobody is intermittent and precarious workers, the theater and independent cinema, languages \u200b\u200band contemporary research, the younger generation of artists. Nobody represents our discomfort and our anger.
None but ourselves.
on March 27 and THE DAY OF THE THEATRE - and in Italy there is nothing to celebrate.
transform this event into a strong and widespread protest: blocks and theater productions, multiply actions in each city. Enough with the depressing funeral and initiatives: the rights do not ask, you win.
APPEAL TO ARTISTS AND COMPANIES TO THE SCENE TO READ EVERY NIGHT UP TO 27 OF MARCH OF PROTEST TO PRESS ALL STAGE: to defend our rights and our professional autonomy, for a fundamental reform of the financing system and the continuous income in times of no work.
invite those who occupy positions recognized in the field to be exposed PUBLICLY in defense of the theater.
It is up to us, we do not have privileges to defend, arranging for active resistance: while the Titanic sinks Let's dive and learn to swim!
Workers and show self-organized workers
(stable / unstable / intermittent)
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