still cuts to the theater, cinema, dance, opera, research, culture, or is expected to fall a little cash under the table and everything will work out or have the clear perception that WE ARE IN A STATE OF EMERGENCY . That is no longer possible to work, that our skills and our professionalism will no longer have value. What will be back very, very difficult. That time and missed opportunities there will be returned. And ppure reactions of the last two years have been weak unions and trade associations insist on a policy of wait-and compromises. Nobody is intermittent and precarious workers, the theater and independent cinema, languages \u200b\u200band contemporary research, the younger generation of artists. Nobody represents our discomfort and our anger. None but ourselves. on March 27 and THE DAY OF THE THEATRE - and in Italy there is nothing to celebrate. transform this event into a strong and widespread protest: blocks and theater productions, multiply actions in each city. Enough with the depressing funeral and initiatives: the rights do not ask, you win. APPEAL TO ARTISTS AND COMPANIES TO THE SCENE TO READ EVERY NIGHT UP TO 27 OF MARCH OF PROTEST TO PRESS ALL STAGE: to defend our rights and our professional autonomy, for a fundamental reform of the financing system and the continuous income in times of no work. invite those who occupy positions recognized in the field to be exposed PUBLICLY in defense of the theater. It is up to us, we do not have privileges to defend, arranging for active resistance: while the Titanic sinks Let's dive and learn to swim!
Workers and show self-organized workers (stable / unstable / intermittent)
we turn to her as the highest representative institution of our country to seek support on the situation in the world of culture in Italy.
We are workers in the world of entertainment and we are present in all the mechanism that allows the performing arts to develop and offer a service culture that so often we are envied.
do this work because we believe in and culture because culture is made by people for people.
We are now without a future and we can not make plans.
We work every day, often without time or holidays, and in absolute insecurity.
For us there is no guarantee or social safety nets.
not "waste", we are not "lazy" and not "steal the salary."
We are present in all stages of training of artists and the public. We are present when the image goes outside Italy.
with the culture we eat, but no profit. And we want to continue to live there.
We realize that the cultural model that has long rule in Italy there is more, does not represent the majority of us involved in show business, women, men, young and old. During the mobilizations of the past months we have tried together, among ourselves, to focus the discussion of the country the theme of knowledge and culture.
Today in Italy the knowledge, good communication and culture are constantly being humiliated. Every day we witness the slaughter of cuts and cancellations of funding for this sector.
The country is aware of what's going on?
Please President to listen to our voice and take stock of the events of recent days, no one listens to us and we trust in you for answers, for our present and what we could not give our children.
We know that March 17, 2011, on the occasion of the 150th Anniversary of the Unification of Italy, you will attend a performance of Nabucco at the Teatro dell'Opera in Rome.
We can not assume that you choose to celebrate their great musical moment, a work still using the work of all of us, and we realize that with these cuts may be the last show.
Given the dramatic situation, we hope strongly that this time you can make her voice heard and continue to express its solidarity with the experts and artists, urging the government to intervene through the cultural policies of different sign, since reinstatement of the FUS or finding adequate compensation.
We are sure that you understand our mood, our concern and disappointment of our lives, we trust in you as a man of exemplary state and supporter of art and culture.
And a performance in which the theme of deception is the pretext and the end for a representation of various art with pantomime, juggling, transformation and the acting. A tale theme where the protagonist-author Bustric, playing with so many different elements of skill takes audiences into the world of imagination and the absurd. Bustric is not only magician is also a clown, mime, imagination, variety artist and music-hall ... E 'actor and poet in the full sense of wonder at the scene. His show is titled "The wonderful art of deception." Is it not deception theatrical fiction, are not cheating the illusions of life, we want to believe the lies, the dreams that make us wonderfully escape from delusions of a reality often poor and bare? And so Bustric join us in a storyteller's tale with comic wit that runs through other deceptions in history and literature: the treacherous kiss of Judas, the wits of David Goliath wins, the dagger of Brutus against Caesar, the ghost of the father appears to Hamlet. But above all, his air of cheerful and sad little man tender and mocking, tells a story to be anxious Luna - Park between rides and orchestras or the tale of a Russian prince who saves his beloved from an evil wizard, in turns funny sylph from "Swan Lake" or assume the appearance flaming demon-eaters.
Bustric ... is above all an extraordinary man of the theater, well known to the public, able to switch between genres with ease, working with dancers as Valeria Magli, actors like Mauro Avogadro experimental groups such as Pontedera; but, above all, accustomed to working alone, to enchant the audience with a gentle kind of show, in which the memory is associated with fantasy, magic complete the narrative, the autobiography is not separated from the invention. Everything has a deceptively simple tone and innocent but do not be fooled, there is method in his madness. The show is a medley that features very adaptable, where Bustric has reserved the best of its rich experience, Bustric is an authentic presence.
STAGE OF INITIATION OF ITALY TO THE CLOWN with Jean Menigault
THE STAGE AND 'POSTPONED TO MAY .!!!!!!!
Date 13 - May 14 to 15
STAGE OF INITIATION TO CLOWN
plaintiff METAMORPHOSIS THE CLOWN
This creative art of the clown is the result of extensive research experience began in France and raised in Italy over a series of laboratories. The art of the clown, even more than fantasy, feats, poetry is the total embodiment of a state of extreme emotional extraordinary truth, simplicity, presence, empathy, a state where time stands still, magically expanded.
The pedagogy is based on the stage body and voice, the various techniques of clown improvisation, research and the creation of its clowns, its entrée.
Jean Menigault Méningue in art is one of the most serious practitioners of this art, known for his performances in Europe and his shows. Born in Orleans in 1965, has grown artistically in Paris at the school Decroux, of Adrian, of Hottier. In addition to his performance is dedicated to research for seventeen years of teaching resources for the transmission of the clown tradition. (Www.meningue.eu)
times: Friday evenings from 20.00 to 23.00 Saturday afternoon from 15.00 to 19.00 Sunday from 11.00 to 13.00 , from 14.30 to 19.30
COST 90 EURO.
info and bookings: 3771912710 LELE taeteatro@hotmail.com
for registration and 'requested to pay a deposit of 50 € by bank transfer to: taeteatro - Cash rural credit cooperative artisan Treviglio IBAN IT70Q0889953640000000022077
the first issue of the year of "The Porthole Courtyard" is ready for some time, but due to bureaucracy, it was not yet possible to give it to the press.
Warning: the link to the file has been modified at 20:40 of 10/11/2010 ; in the previous file was missing a part of the interview candidates in elections to the council.
No I do not think evil, I will not take care of that thing. I was referring rather to the main activities of the mayor of Salemi, activities that I imagine not steal too much time because you always see on TV. But the good victory now have learned to know everyone, and therefore no longer fear anyone. Last night was the guest of comparison, "Santoro of the poor", and at one point, without any tangible reason, he started one of his usual litany against (I think) the journalist of "Done" Peter Gomez, 's opportunity to chose "fascist fascist" but it could be "goat goat," or perhaps "chandelier chandelier," all have the same meaning. But if once the classic "rude" was preliminary to a fight live now no longer works: Gomez has looked as if watching one of those little dogs growling but harmless. And he believed he was a Doberman.
is a pearl caught in the early morning hours in the study of "Omnibua. Feanco Bechis, which I think makes the journalist, probably inspired by the presence in his side's Culture Minister Sandro Bondi (yes, you read that right) Serena Dandini critical because in its transmission would have interviewed the director of Republic Mauro who had attacked colleagues "Journal" that they were not present. And when the presenter pointed out that the Sallusti and Leeks are permanent presence in all transmissions of information policy, argued our Bechis that it was in "Annozero" the newspaper had been tried without any Felt that newspaper reporter were present. A submission was that this Maurizio Belpietro "free", but for Bechis (who writes on that very newspaper) is a "head competitor." Chutzpah award 2010.
The punishment inflicted on Michele Santoro for the alleged offenses in Masi speaks for itself, everything is very clear from the principal. It is interesting to note the mode of how the news was released by the various national news. The TG1 started well, by the news and comments from various parties. The final comment, however, is entrusted with Maurizio Gasparri, just to remind viewers where to TG is the flagship of the network. Rather than the usual short service servizietto. Change the channel and you're on la7, the news is the same but the commentary is provided by the director Enrico Mentana. No difference, therefore, in both TG's final comment is given to those who have editorial responsibility or his representative.
STUDY FOR ENTRIES ARE OPEN TO THE STUDIO THEATRE STUDIO FOR ANTIGONE
"NOTES FOR A THEATRE Wandering
ENTRIES ARE OPEN TO THE STUDIO THEATRE
The courses lasting two years with possibility of free access (you do not require previous experience in theater). The teachers are professional actors of the company and qualified employees who have completed years of work actor and preparation with effective teachers. The curriculum is divided
over two years from October through late May, an evening at the seventh.
first year as a goal 'October at the end of May (Tuesday - from 19.30 to 23.00 )
SECOND YEAR from the beginning of October to the end of May (Wednesday - from 19.30 to 23.00)
Price: 50 € per month inclusive of annual card taeteato
E 'A free trial lesson Tuesday 19 October 20.00
to book your free trial and 'need to send an email with own personal data.
Registration and 'restricted to a maximum of 16 participants.
THROUGH A PHYSICAL CONSTANT WORK IS FACING THE MAIN TASKS OF THE ACTOR
The programs include a variety of school subjects:
Students in the 2nd year of course you compare this show with one of the most 'important pieces of Greek tragedies. The five actors on stage at the same time become the choir, the character and servants of the scene, taking different points of view of those who live the story or who simply said: a vision ' Sophocles 'drama to a more' epic distance of Brecht. An interesting comparison between the old and the current figure of Antigone 'of the issues addressed in the work.
Saturday, October 2, 2010 Limited. Booking Policy: laboratorio@taeteatro.org
replicas 19.oo and 21.00 hours at room bunker taeteatro (Schoolyard Cameron) Via Bellini 2 TREVIGLIO (Bg)
1-2-3 October 2010 RETURN TO TURN TREVIGLIO, THEATER REVIEW OF YOUNG
(content being updated)
FRIDAY October 1
THEATRE AT 21.OO FILODRAMMATICI ILINX THEATRE in "DEVIL TWIST AND SHOUT" entrance € 5
vision and words Cristiano Valli Sormani Created: Nicolas Castelli Nicolas Ceruti, Maria Rosa Horsman, Luke Marchiori, Sormani Cristiano Valli. action: Nicolas Castelli Nicolas Ceruti, Maria Rosa Horsman, Luke Marchiori, Sormani Cristiano Valli.
There's the Devil who has lost his place in this society without true choice between good and evil. A Devil who meet the Theologian, the Statesman, the Genius of global finance, a role and trying to recover the lost power. Then there are the Holy Spirit and fallen over time, forced the human journey, without reason, without knowing why. In search of nature's forgotten, scattered among the things of the earth. Necessity, Justice, Luck, Grace encounters on the road. Trying to pull a "sense" to the path, neither more nor less than that ILIN x ago. In this time of the theater, distilling from the past, shooting for the future
ROUTE OUT AT 21.30 ARCI village BATTLES TAETEATRO in "Gnosis OF fanfole " free admission
reading / concert of poems by Fosco Maraini metasemantiche
with Graziano Gatti: trumpet
Paolo Guarneri: keyboards
Stefano Lazzari: percussion
Massimo Vitali: Item
"In the language metasemantico words do not shove things like arrows, but the touch like feathers, or a breeze blows, or sunshine, giving rise to multiple diffraction harmonics in a recall, cromatis me to multi-purpose secondary to the phenomena of fertilization, a sudden multiplication in catalytic domes of thought, the most secret motions. The reader becomes sole shareholder of poetificio, but he immediately joined the board of management and should he, also, have the thrill of opera production. The author of more than writing, offers. If it is successful in its intent, it can be said to have offered a trampoline, nothing more. "
Saturday, October 2
MARKET AREA AT 17.3O TREVIGLIO SEMIVOLANTI in "FIAT MINIBUS THEATRE free show
What is a play place? A comfortable space for events. Where a gesture, a word will be boosted by the container that hosts them. But the container may be dysfunctional, then the act theater / performance, if it is to be effective, must adapt and be very functional or should leverage on the contrast that crea.Il Van Fiat Novecento is a wonderful place theater. I was lucky enough to receive it from a farmer who wanted it scrapped cousin, did not use it much, but when I took were the remains of many vintages and libraries olive.Il Van Fiat twentieth century belongs to that type of objects that have their own intrinsic lived as the Beetle or the Olivetti typewriter. They have a strength of popular imagination, in the noblest sense of the term, because they combine the grace of form, functionality and durata.E 'People just that character that interests me for the show that Van parked propongo.Il with tinted windows as screens blacks, it becomes a place for a few spectators who come and sit on the seats. The scenes do not last more than five minutes, because we want to enjoy the theatrical event as a poem, an aperitif, a fragment full of words and images. The scene changes every night, change the subject, the actor who proposed the amount of spectators to bring in and the seat that receives them, front and rear, but does not change the theme that holds these five pieces of scenes as a single puzzle: we are interested to investigate, in this unconventional, the mystery of this thing we call everyday life, which is unfathomable and dangerous that you wonder or you are corrupt in its crudeness. There are no answers to offer, but trying to be poetic eyes cross.
Project and director: Valerio Gatto Bonanni
AT 19.OO and 21.00 BUNKER AREA Via Bellini 2 TREVIGLIO
TAETEATRO
STUDY Antigone (Sophocles / Brecht)
subscription card entry tae 5 €
From Bertolt Brecht and Sophocles
Wise students 2nd year drama workshop
By Claudia Crippa, Giuseppe Curia, Francesca Gatti, Laura Marziali, Samarin Maura
director Max Vitali
The 2nd year students of the course are compared in this show with one of the most 'important texts Greek tragedies. The five actors on stage at the same time become the choir, the character and servants of the scene, taking different points of view of those who live the story or who simply tells it: a vision more 'dramatic Sophocles to a more' Brecht's epic and distant. An interesting comparison between the old and the current figure of Antigone 'of the issues addressed in the work.
... holy pagan daughter of God before God to be known, after the flower paradise paradise was closed. You in the spirit of martyrdom, alone, staring attraversasti the vortices of the grave and I hope innalzasti above ground, 'cause
not eternal despair descended on the grave of your brother ..
AT 23.OO ClockTower PUB TREVIGLIO TRISTAN HEAD in "I LOVE YOU BUT WHAT YOU DO NOT RESPECT" free show
'S 'THE CABARET. THERE 'comic theater. THERE 'THEATRE SONG. And then there's' TRISTAN HEAD. CRAZY! Egocentric! Irreverence! Tousled! POLITICALLY INCORRECT! Tristan Head, the only performer and songwriter who manages to be both elated and depressed, for the first time, deals with love. But not only love a man lives. comic monologue gags and surreal mix song writing with an explosive physicality. "I love you ... but it does not concern you" is a comedy show in which different artistic languages, theater, circus, music and theatrical improvisation, you blend and complement each other to create something new, a mixture of dark-demented songwriting with nothing short of hilarious accents Welcome to this exciting evening!
Sunday, October 3
17.30 SQUARE SANTA GIULIANA MATE 'Theatre in "The Blues (reading)" by Tennessee Williams (staged reading ENTERTAINMENT ) free show winner
Entertainment Weather Theater 2009 - Paul Drama School Grassi, Department of Culture of the Municipality of Milan, CRT Teatro, Teatro Litta Teatro Out Off Railing Theatre, Teatro Verdi, Sala Fontana.
Two actresses, musicians, three, four scenes, a musical and theatrical. Variations and improvisations that enhance the blues rhythm of the writing of Williams. The four Blues Tennessee Williams propose universal human types, such as standards Jazz. They are characters that have the thickness of the heroes of Greek tragedy: the passions that motivate them, however, does not give rise to other dramatic action if not the destruction of the character. The marginal gain renovating the central perspective or the social context that made them marginal. The spectator himself becomes the character, because he cast upon the faults originating in their expulsion from the characters of Williams.
Ingoglia with Alessandra Galati and Maria Teresa Gatti Graziano trumpet piano bass Stefano Paolo Guarneri Fascioli
LIBRARY CIVIC AUDITORIUM AT 18.30 Ippolito Chiarello "FUCK THINKING ROOM 501" free show
loosely based on the novel (Fanculopensiero) Maksim Cristan)
drama directed by Michael Santeramo Simona Gonella space and light Vincent Longuemare
Maksim Cristan is Croatian, rich and established. One day he left his Chevrolet Beretta at a stoplight, the engine is running, and walks away. In a hotel: room 510.Lascia that its phones download and stop staring at the ceiling: fuck. Fuck thoughts. Then go to the station, take the first train to Milan and begins to live on the street. It writes down the street. He writes of the decision to give up all of his meetings, his women, a life that does not want to - for nothing - has changed. The protagonist of the show, played by Ippolito Chiarello, is rich and apparently said. Even one day he leaves his Chevrolet Beretta at a stoplight, the engine is running, and if they va.In a hotel: 510.Ma room there is a problem: there is no room 510. The space in which acts the character is vaguely reminiscent of a rectangle from the dance floor. This is the challenge - or experiment - which gives the character life stages in a very literal all the objects and furniture of this hypothetical room, the living to the smallest detail, and with it also evokes other characters useful his experiment, which is nothing but the cruel game of his life to stage, from which one wants to escape, the one that brought him to the room 510 and the next, who can only imagine. Fuck yourself, fuck your character, fuck the ruolo.L 'experiment is a ferocious down inside themselves, to search for answers at the bottom of the bottom, up to and risk of total loss until, inevitably, to find more questions and few answers. The show tries a way to analyze the desire to escape now so strongly ingrained in the modern world. Confronts the many fans who would go to ... the experiment of a test and that we use the traditional means of representation to represent and present possible alternatives. The main character is pushed to the limit of no return but fails. Any new role wearing the same coat-class taste with which he entered in the theater / room 510. In the text Santeramo goes often to the paradox, with almost constant laughter and force the character to ask questions often dangerous means to stage a challenge to see if the tools of theater, the role and character at the end are really so similar to the representation that we have made in the field every day to survive.
THEATRE AT 21.00 FILODRAMMATICI THEATRE COMPANY Puntozero and Boys in JAIL BECCARIA "ANTIGONE" entrance € 5
The boys in the juvenile prison Puntozero C. Beccaria and the company will be on stage with Sophocles' Antigone, directed by Joseph Scutella sets, costumes, makeup and music were made by juvenile detainees who attended drama workshops that has enabled both Puntozero ll'interno Institute is the headquarters of Criminal PuntozeroTeatro. With the support of the Juvenile Justice Centre for Lombardy, C. Beccaria of the staff of the Criminal and Penitentiary Police Corps and the state could set up a permanent company, where young prisoners have ventured in the production of Antigone , "reciting" the dual role of technicians and actors. Before absolute value of the project and the relational aspect that leads to a true team collaboration and relished, in which the skills acquired in the laboratory and the efforts of individuals tend to achieve a single final result and at the same time playful and vocational. The Antigone and suggestion to investigate and reflect on the relationship between the man in the giusitzia; theme intended to move issues, concerns, and truth incerte.Puntozero for over twelve years working in the juvenile prison Cesare Beccaria in Milan teaching the crafts of the theater: set design, lighting, sewing, sound, multimedia, makeup and acting. The technical skills are applicable to the theater be spent working in diverse contexts, expanding employment opportunities in the world of work.
28-29-30 September
CLOWN WORKSHOP WITH FERRARI BANO
body comedian. Travel around the clown.
The workshop will bring participants to the shape of circus clowns from its roots, and then navigate to new territories. During the tour you will meet, you will experience, you will hear and see. We will get in the game, and it will happen ... maybe in our country: let's get ready to receive it!
Our clowns will be the mirror the confusion and clumsiness clumsy in facing hostile forces of the universe inhospitable whose meaning eludes us, throw the mess in the order that we have built in our defense, we will play our security in crisis and put the supposed objectivity of our vision of the world will force us to admit that the border between order and chaos is not so clear as we would like and it is not where we thought it was, but will also help us to draw energy from our ability undeveloped land will nourish our roots, we teach us to get up every time ruin on the ground killed by lethal blows, giving wings to the sadness and color to the day off.
structure of the seminar:
· The mechanisms of the comic gags analysis of traditional and non-production mechanisms and not encoded.
· Work on your attitude through the comic tradition, improvisation and observation.
· approach to improvisation: personal creativity in comic mechanisms encoded
Bano Ferrari: Born in Treviglio, in 1951, he worked in theater for over thirty years as an actor, writer, director. Formed with polyvalent Bolek, he founded and was a member of several theater companies (theater of artifice, Philharmonic Clown ...) and they took part in events and festivals throughout Europe. It 'the author of books on theater and collaborates with several Italian universities and festivals. E 'artistic director of several major theater festivals. The artistic work alongside an intense pedagogical activity.
Hours:
* From 20.00 to 23.00
Price: 70.00 Euro per person
Location: The Bunker, via Bellini Treviglio (Schoolyard Cameron)
theater review in collaboration with ilinxteatro, Association sailors and dreamers.
pm Saturday, July 31 16.00 to 18.00 Piazza Manara Treviglio (BG) in Erewhon "SOUNDS IN THE GAME" Animation with music machines
... 18.00
Gascon Theatre in "BALkANICAOS" musical theater
____________________________________________________ Saturday, August 21 21.00 civic center because of the cultural Facchetti Treviglio (Library) necessary theater in "Tete a Tete" comedy show for all
Saturday, August 28 at 20:00 Castel Cerreto (fraction of Treviglio) THE TAMARROS
traveling music show Sunday, August 29 21:00 cultural civic center because of Facchetti Treviglio RITA PELUSO in "cried All" musical comedy
Sunday, September 5 18.00 oratory Geromina backyard (village Treviglio) MURIEL GLEIZE in "Hercules OTTO A FEATHER" show of juggling and acrobatics
Sunday, September 5 Piazza Vittorio Emanuele 21.00 Rivolta d'Adda (CR) FRANCA Pampaloni and LUZ Pierce in "better late than never"
musical comedy show Saturday, September 11 21.00 Piazza Vittorio Emanuele Rivolta d'Adda (CR) NECESSARY THEATRE in "CLOWN IN FREEDOM '" comedy
in case of rain, performances will be played in space Alternative for info: 3391134156 Max www.taeteatro.org
Theres people who even in the summer is a public service media
Ed'è La7, the only television that has not stopped with the summer heat to make information, apart from the news (and that of La7 is the only real news of general networks together with that of RaiTre) . In the morning, continuing its series of "Omnibus" and in the evening instead of the "Eight and a half" has been taken throughout the summer and the excellent Telese Costamagna with new show "On Air" last night, for example, has hosted Marco Travaglio us informed of what's happening at home Vespa (horror). In short, an oasis in the bleak summer television landscape
